One of the more contentious issues in Ozzy Osbourne’s career may have finally been laid to rest with the release of a pair of reissues on Sony Legacy — Diary of a Madman and Blizzard of Ozz. You May Also Like: Why You Should Count ‘No Rest for the Wicked’Read More

Chris Connelly, coming off key contributions to a pair of recordings by Al Jourgensen’s Ministry, neatly sidestepped the dreaded “industrial” tag here with simple musicianship (not to mention a dead-on Bowie vocal turn). Still can’t be sure how he made time for Phenobarb Bambalam, considering he was also touring andRead More

by Tom Johnson Three-part harmonies, a verified guitar-god genius, and some of the lowest, thickest, sludgiest bass around — King’s X is like the Beatles of metal, but they go year-after-year depressingly ignored. They scored a few minor hits in the early 1990s and then pretty much sunk off theRead More

by Fred Phillips Warrant? Seriously? Is this some kind of test? Have I somehow offended the editors in my brief time here? You May Also Like: Heart – ‘Alive in Seattle’ (2003; 2017 reissue) Aerosmith – ‘1971: The Road Starts Hear’ (2022) How Elvin Bishop Kept It Seriously Fun onRead More

For all the mediocre music he shelled out under the Black Sabbath name following the departure of Ronnie James Dio, Tony Iommi seems to be making amends later in life. His reunion of the Dio-era Sabbath lineup under the name Heaven and Hell a few years ago produced the bestRead More

After spending the last couple of weeks with the new records from Whitesnake and King Kobra, it’s only natural that I’d eventually turn to the album where the two factions met, 1989’s self-titled debut from Blue Murder. When John Sykes was ousted from Whitesnake, along with most of the bandRead More