Durbin, “The Prince of Metal” from ‘The Beast Awakens’ (2020): One Track Mind
Yes, Durbin came from ‘American Idol’ – and yes, I’m banging my head and throwing horns with a big, stupid grin on my face because it’s glorious.
Yes, Durbin came from ‘American Idol’ – and yes, I’m banging my head and throwing horns with a big, stupid grin on my face because it’s glorious.
At times, Amaranthe’s ‘Manifest’ is so poppy that I feel almost embarrassed to crank it up, but then it swings around and punches you square in the face.
Anti-Mortem’s “Old Washita” and “STFU” have given me more joy lately than is probably sane and healthy for an adult.
I’m not sure what made me click on ‘Child’ from ‘Hunter Gatherer’ after steadfastly ignoring Avatar for years, but I’m glad that I did.
Alice Cooper’s ‘Brutal Planet” arrived 20 years ago this month like a gut punch, setting up as a kind of morality play set to metal.
If I can’t have a Savatage reunion, here’s hoping that Archon Angel keeps the magic alive.
For the first time ever I leave an Alestorm album not with a big grin and a desire to hoist the Jolly Roger, but actually kind of bummed.
Released 30 years ago this week, ‘Tattooed Millionaire’ gave us the chance to learn a little more about Bruce Dickinson’s quirky personality.
Skid Row released ‘Subhuman Race,’ perhaps their heaviest and most grown up album, 25 years ago this week.
Released 20 years ago today, ‘Magica’ is the most underrated Dio effort – and every bit the equal of Ronnie James Dio’s best work.