David S. Ware felt it was time to focus on his abilities as a composer. As he puts it: “I didn’t want to make another quartet album with everybody blowing. You May Also Like: David S. Ware & Matthew Shipp Duo – Live In Sant’Anna Arresi, 2004 (2016) Caterpillar QuartetRead More

by Tom Johnson Jazz has been in a kind of holding pattern since the mid-1970s, when even Miles Davis declared the genre dead. You May Also Like: Matthew Shipp Trio – Piano Song (2017) Matthew Shipp – Zero (2018) Matthew Shipp – Symbol Systems (1996, 2018 reissue)

Sao Paulo-born tenorman Ivo Perelman assembles a whack jazz quartet that rivals in star power to the foursome David S. Ware recently assembled with William Parker, Cooper-Moore and Muhammad Ali. You May Also Like: Ivo Perelman, with Matthew Shipp + Joe Morris – ‘Shamanism’ (2020) Ivo Perelman, William Parker, GeraldRead More

by Mark Saleski There’s this notion in the world of sculpture that the artist is merely freeing the shape locked within the raw source material. You May Also Like: David S. Ware & Matthew Shipp Duo – Live In Sant’Anna Arresi, 2004 (2016)

by Mark Saleski Over the years I have spent many pen scrawls, pencil swipes, and keystrokes trying to describe what it is about ‘out’ music that moves me so much. Sometimes it’s pretty easy You May Also Like: Matthew Shipp – Zero (2018) Matthew Shipp – ‘The Intrinsic Nature ofRead More

Going from unknown two years ago to co-leading a duet record with Matthew Shipp is a meteoric rise in the avant jazz world, much less any world, but that’s just what alto saxophonist has accomplished in this short time frame. You May Also Like: Matthew Shipp – Zero (2018) MatthewRead More

by Mark Saleski The music of jazz composer/pianist Matthew Shipp isn’t fairly described as “avant garde,” mostly because to a great many people, that categorization can be read as “I don’t understand this music, can we please leave now?” This wouldn’t be fair to Shipp because over the course ofRead More

by Mark Saleski The area of electro-acoustic music encompasses so many different sounds and constructions that the label itself is nearly meaningless. As the name implies, it is music created with both acoustic and electronic instruments. On my list of favorites are the Anthony Braxton/Richard Teitelbaum collaboration featuring synthesizers andRead More

by S. Victor Aaron Shipp is one of the currently reigning giants of whack jazz, so that’s a good-sized hole we proud avant garde types left on this site. My short mention of his latest is merely a down payment to rectify that gap. This latest release, by the way,Read More