Marty Stuart calls his backing band the Fabulous Superlatives – and, the thing is, they live up to his claim on every tune.

You’d probably assume that 1981’s The Baron, produced by countrypolitan pioneer Billy Sherrill, would do little to suggest where Johnny Cash would end up a little over a decade later with the American Recordings series. You May Also Like: Johnny Cash’s American VI: Ain’t No Grave was a rustic, spiritual,Read More

If there is a group, in the era after the sad passing of Levon Helm, who can push forward the ageless Americana blueprint of the Band, it might just by Marley’s Ghost.