Pianist John Escreet took his great L.A. group and made it even better for the epicenter of your dreams.’ Call it addition by sweet addition.

On her latest excursion as a leader, ‘The Glass Hours,’ elite bassist Linda May Han Oh does everything to burnish her reputation as a complete artist.

Reaching within his household for inspiration, bass master Joe Martin takes a rare turn leading a star-studded group.

Jeff Ballard moves further away from mainstream jazz, while keeping himself challenged on the drums.

Billy Hart had made a name for himself quite a long time ago drumming in bands or recording dates led by Wes Montgomery, Jimmy Smith, Herbie Hancock’s Mwandishi, Shirley Horn, Miles Davis, McCoy Tyner and Sten Getz, You May Also Like: No related posts.

This is a drummer’s record but not a record about drum solos. Musically, however, it’s about a lot of other things, like rhumba, West African, reggae, Moroccan, Afro-Cuban, funk-fusion and, finally jazz. You May Also Like: Daniel Carter, William Parker, Matthew Shipp – Seraphic Light, Live at Tufts University (2018)Read More

by S. Victor Aaron Jazz label Anzic Records is only about four years old but has already made a real impact for young, talented New York-based musicians. Co-founded by Israeli-born clarinet/saxophone whiz Anat Cohen (who was profiled in my list of “Young Lionesses” up-and-coming female jazz stars), this record companyRead More

by S. Victor Aaron Last year brought the welcome return of Enrico Rava’s 1975 masterwork The Pilgrim And The Stars to American shores for the first time in CD form. Only a few months later, we’re getting treated to a new set of recordings by Italy’s foremost jazz musician. NewRead More

photo by Pavel Korbut by S. Victor Aaron The Cuban influence on jazz has been resilient from the late forties on. From Desi Arnez and Mongo Santamaria to Paquito D’Rivera and Arturo Sandoval, the heritage remains as strong as ever, as evidenced by the left-field success of Ry Cooder’s BuenaRead More

by S. Victor Aaron Kurt Rosenwinkel first got my attention as the cerebral but melodic guitarist on Brian Blade’s masterpiece Perceptual back in 2000 and then via Rosenwinkel’s own major work of art Heartcore from three years later. That vastly overlooked record was a commanding balance of musicianship, texture andRead More