Post Tagged with: "Many Arms"

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Many Arms + Toshimaru Nakamura – Many Arms and Toshimaru Nakamura (2015)

Inserting Toshimaru Nakamura into the mix doesn’t transform Many Arms, it amplifies their punk ethos/free jazz spirit instead.

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Zevious – Passing Through The Wall (2013)

When Zevious first started out in 2006, they were like any guitar/acoustic bass/drums jazz trio, but soon after their self-titled 2007 debut, they decided they didn’t want to be like any jazz trio. You May Also Like: Flowtilla – Just Passing Through (2017)

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S. Victor Aaron’s Top Albums for 2012, Part 3 of 4: Whack Jazz

<<< Part Two, Mainstream and Modern Jazz ||| Part 4, Fusion Jazz >>> In continuing with a long-held tradition, I’ve parsed out the jazz that goes avant-garde from the more conventional stuff. You May Also Like: Jimmy Haslip, jazz bassist: The Albums That Shaped My Career

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S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 3 of 4: Whack Jazz

If you happened to peruse the Half-Year List of Top Albums for 2012 for Modern and Mainstream Jazz before this list and you’ve been keeping up with the latest jazz releases, you might have wondered, “Where’s that new Matthew Shipp?” You May Also Like: No related posts.

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Johnny DeBlase Quartet – Composites (2012)

Johnny DeBlase plays bass for a couple of thrash-jazz bands, including one of my personal favorites, Many Arms. You May Also Like: Desertion Trio – ‘Numbers Maker’ (2021)

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Many Arms – Many Arms (2012)

Music that’s noisy and unconstrained aren’t all the same, and the best hardcore experimental bands understand that merely creating chaos is not enough; the chaos is best created in an orderly way. You May Also Like: Desertion Trio – ‘Numbers Maker’ (2021) Nick Millevoi – ‘Digital Reaction’ (2023)

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Many Arms – Missing Time (2010)

photo from philadelphiaweekly.com by S. Victor Aaron One of Frank Zappa’s latter day live documents is called Make A Jazz Noise Here. Anyone who’s followed Zappa knows that while Zappa rarely really played jazz as we tend to think of jazz, a lot of his music adopted the exacting, open-endedRead More