by Nick DeRiso Benny Spellman’s “Fortune Teller,” a witty early-1960s story song, is one of my touchstone party records. Everything about it is perfectly New Orleans, from the pounding piano to this sizzling island-tinged percussion, from a group of yelping, mesmerizingly groovy R&B backup singers to its not one butRead More

by S. Victor Aaron John Scofield isn’t regarded as the top two or three jazz guitarists of the last couple of decades just because he’s such a great guitar player. The thing that sets him apart from almost all the others is his ability to play a different style ofRead More

NICK DERISO: A crazy collision between the brassy sound of Rebirth and the great grooves of Parliament Funkadelic, LA Funk Brass Band is a party actually taking place on the bandstand. That makes sense, considering this funky roadhouse choir features a rotating set of 50-or-so performers with roots from northeasternRead More

Irma Thomas, whose Louisiana legend of a voice has darkened into a more expressive place, is taking a similar career tack. The new “Simply Grand,” in fact, finds Thomas moving deeper into the emotional underpinnings of her best work at a time when safer environs would probably be more profitable.Read More

by Nick DeRiso Snooks Eaglin, who had been battling prostate cancer, shot to prominence on the strength of 1959’s “New Orleans Street Singer,” a record that even today is a revelation. Mostly, because it sounds nothing like Eaglin, who was as modern and as inventive and as non-traditional as theyRead More

Sam “Lightnin'” Hopkins, as always, did it in just one take – with the money upfront.

“It’s funny how perceptive parents can be,” ace drummer Lonnie Wilson tells me. “When I was little, my mother was listening to me practice. I was running into the house, listening to a record, then practicing some more.” Musicians call that kind of near-evangelical practice “wood-shedding.” From these lonely, repetitiveRead More

Click through the titles below for Something Else! reviews on a number of last night’s key Grammy-award winners, including Robert Plant and Alison Krauss — who must have charley horses from going up and down to the podium so often. We also review B.B. King, whose terrific “One Kind Favor”Read More

NICK DERISO: The blue-eyed soul template has been copied so many times that it can feel like a faded and calculating conceit, something singers do simply to attact a demo. Unless you’re Eric Lindell, a native of San Mateo, Calif., who not only aspires to a Van Morrison/Delbert McClinton-level ofRead More

NICK DERISO: Best to fasten your seltbelts, and put your trays in the upright position. “Git It” is a frenetic, fun-filled journey, this breathless moment of in-concert glory that comes and goes so fast that it remains sadly emblematic of the meteoric rise of Beau Jocque himself. During the lastRead More