“Holding On” doesn’t quite reach Yes greatness – ironic, given the song is packed full of so many production tricks.

How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?

Another collaboration between Anderson Bruford Wakeman Howe and Yes producer Jonathan Elias is torpedoed by questionable decisions.

The first two minutes of “Miracle of Life” are pure prog joy. Then, as with so much of Yes’ pieced-together 1991 album ‘Union,’ something goes wrong.

Yes barely appears on “Without Hope You Cannot Start The Day,” which was completed by Jon Anderson from a sketch by producer Jonathan Elias. It’s a shame.

“Shock to the System” almost seems like a leftover from Yes’ ‘Big Generator’ era, instead of a tune begun by Anderson Bruford Wakeman Howe.

“I Would Have Waited Forever” kicks off a pieced-together so-called collaboration with four former key members, but they never actually played with Yes in the studio.

Perhaps with different sonic sensibilities, Yes’ “Holy Lamb (Song for Harmonic Convergence)” could have been great.

“Big Generator,” the title track from Yes’ 12th studio album, seems desperate in its need to sound modern.

What a way to end Yes’ ‘90125,’ the biggest album from the world’s greatest progressive rock band.