Yes, “Show Me” from ‘The Ultimate Yes: 35th Anniversary Collection’ (2003): YESterdays
Yes, with this deep cut, gives the fans just what they need.
Yes, with this deep cut, gives the fans just what they need.
“Give and Take” only made it onto the version of ‘Union’ released in the U.K. Too bad; it’s easily one of this Yes album’s better moments.
One of the joys of the YESterdays series has been discovering – or rediscovering – Yes gems. This ‘Tormato’-era leftover provides another one of those moments.
This ‘Going For the One’-era bonus item would have made an interesting interlude. At just over four minutes, however, it seems too long as a Yes song.
“Everydays” is a look forward to things to come, arrangement wise, through the main sequence of Yes albums.
What the 1969-era Yes b-side “Dear Father” lacks in progressive-rock elements, it makes up with a strong hook and rock ‘n’ roll passion.
After concluding a song-by-song analysis of Yes, let’s delve into favorite albums by the worlds greatest progressive rock band.
Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.
In its own wise way, Jon Anderson’s guest-filled, often quietly involving new solo album ‘1000 Hands’ sails pretty darn “close to the edge.”
Todd Rundgren’s Utopia, Jon Anderson, Gary Husband and Markus Reuter are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.