Post Tagged with: "Jazz"

Vinyl

Daniel Carter, William Parker, Matthew Shipp – Seraphic Light, Live at Tufts University (2018)

‘Seraphic Light’ is the kind of musical togetherness that can only happen with a great deal of time-tested rapport and virtuosity.

Vinyl

Nik Bärtsch’s Ronin – Awase (2018)

It’s a somewhat revamped Ronin, but Nik Bärtsch saw opportunity with those changes and exploited them. ‘Awase’ can move both your mind and your soul but the deceptively fresh approach it takes to get under the skin like that is the brilliance of Bärtsch and his Ronin quartet.

Vinyl

Avishai Cohen’s Melodic, Masterful Gently Disturbed Was a Canny Update

Released 10 years ago this month, Avishai Cohen’s ‘Gently Disturbed’ made the case for a modern jazz trio – but from the bassist’s perspective.

Vinyl

Thumbscrew – Ours and Theirs (2018)

The all-originals ‘Ours’ and all-covers ‘Theirs’ are both bulls eyes from Thumbscrew and a strong way to persuade the quality label Cuneiform to not give up the fight.

Vinyl

Thollem/Clouser/Chase – Dub Narcotic Session Vol. II (2018)

Thollem ducks into a studio and jams with a noted, up-and-coming fusion guitarist and the drummer from an established garage-punk band.

Vinyl

Judith Owen – redisCOVERed (2018)

Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.

Vinyl

Debbie Gifford – Changes (2018)

Filled with a fizzy sense of self-realization, Debbie Gifford’s ‘Changes’ is delivered with song-by-song twists that are uniquely her own.

Vinyl

Dave Holland – Uncharted Territories (2018)

Dave Holland continues to add meaningful music to an already ample, rewarding catalog with the double-album free jazz extravaganza ‘Uncharted Territories.’

Vinyl

Leslie Johnson Discusses Getting Funky on #3, Looks Ahead to What’s Next

Leslie Johnson joins Preston Frazier to discuss his latest album ‘#3,’ and a newfound focus on getting deep into a groove.

Vinyl

Nolatet – No Revenge Necessary (2018)

With ‘No Revenge Necessary,’ Nolatet once again come up with something that defies categorization outside the very broad confines of “jazz.”