Daniel Carter, William Parker, Matthew Shipp – Seraphic Light, Live at Tufts University (2018)
‘Seraphic Light’ is the kind of musical togetherness that can only happen with a great deal of time-tested rapport and virtuosity.
‘Seraphic Light’ is the kind of musical togetherness that can only happen with a great deal of time-tested rapport and virtuosity.
It’s a somewhat revamped Ronin, but Nik Bärtsch saw opportunity with those changes and exploited them. ‘Awase’ can move both your mind and your soul but the deceptively fresh approach it takes to get under the skin like that is the brilliance of Bärtsch and his Ronin quartet.
Released 10 years ago this month, Avishai Cohen’s ‘Gently Disturbed’ made the case for a modern jazz trio – but from the bassist’s perspective.
The all-originals ‘Ours’ and all-covers ‘Theirs’ are both bulls eyes from Thumbscrew and a strong way to persuade the quality label Cuneiform to not give up the fight.
Thollem ducks into a studio and jams with a noted, up-and-coming fusion guitarist and the drummer from an established garage-punk band.
Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.
Filled with a fizzy sense of self-realization, Debbie Gifford’s ‘Changes’ is delivered with song-by-song twists that are uniquely her own.
Dave Holland continues to add meaningful music to an already ample, rewarding catalog with the double-album free jazz extravaganza ‘Uncharted Territories.’
Leslie Johnson joins Preston Frazier to discuss his latest album ‘#3,’ and a newfound focus on getting deep into a groove.
With ‘No Revenge Necessary,’ Nolatet once again come up with something that defies categorization outside the very broad confines of “jazz.”