Nick Hempton – ‘Night Owl’ (2019)
The deep soul of ’60s organ jazz is at the heart of Nick Hempton’s latest venture.

The deep soul of ’60s organ jazz is at the heart of Nick Hempton’s latest venture.

Chris Greene offers an unexpected post-Valentine’s Day treat in the form of a live recording from the Evanston, Illinois venue Space.

Cabaret-noir singer Graham J.’s ‘Cry’ is an album of surprises, one which hits you both aurally and emotionally.

There is nothing usual, easy listening or ordinary about Arema Arega’s ‘The Red Soundtracks.’ It is completely different.
Claudio Roditi returned to the music of his homeland 10 years ago today, but this salute to Brazil boasted a unique approach.

Larry Grenadier’s ‘The Gleaners’ is a declaration that this long-time in-demand sideman is a seriously viable artist in his own right.
Matthew Shipp returns to his trio, using a common setup to make music that’s uncommonly advanced and stimulating.

In celebrating her starting point with ‘Planet D’earth,’ Kait Dunton ends up revealing more about what she’s now capable of.

It feels like the vocal talent of Dwight Trible has been one of the best-kept secrets in jazz. Well, not now, it isn’t.

Elaine Elias had paid tribute to Brazil’s great contribution to jazz long before this album arrived 10 years ago. But ‘Bossa Nova Stories’ was different.