Brian Landrus can do it all like a boss: compose, arrange, plays reeds and confidently lead a group of big dogs. ‘For Now’ is all the proof you need of that.

There’s no indecision on Ivo Perelman and Matthew Shipp’s ‘Amalgam,’ because they don’t need time to figure out their next move. It’s instantly understood.

There are so many unaccompanied piano records from Matthew Shipp, it’s fair to wonder if it just gets redundant after a while. But they don’t.

Here is the premiere of György Ligeti’s “Fanfares,” as performed by Brian Krock’s Big Heart Machine jazz orchestra.

There is a dreamlike quality to the sound which Erodoto Project creates on the forthcoming ‘Mythos – Metamorphosis,’ and a sensuality.

With lengthy reputations in cutting edge jazz, improvised music and rock, Matt Mayhall and Dan Rosenboom bring a unique telepathy to this project.

Here is the streaming premiere of Charles Rumback’s “Burning Daylight” track from his upcoming LP ‘June Holiday.’

The Hot Club of Philadelphia’s ‘Gypsy-Americana’ is joyful, very listenable and well worth the five-year wait for fans.

Trombone Shorty’s tenure as one of New Orleans’ main music ambassadors began 10 years ago today with the release of ‘Backatown.’

Issued 10 years ago this week, the John Coltrane-inspired ‘To the One’ showed there was still a lot of artistic life left in fusion icon John McLaughlin.