Jess Gillam – ‘Time’ (2020)
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
‘Time’ is a journey of discovery, not only in Jess Gillam’s mastery of her instrument but also in re-worked compositions.
Norah Jones’ continuous search for new sounds and new collaborators has resulted in a varied career that seems to satisfy her enormous talents.
John R. Smith of Nu Shooz joins Ross Boissoneau to discuss key records by John Coltrane, the Toshiki Akiyoshi-Lew Tabakin Big Band, and Stevie Wonder.
Matthew Shipp and Rob Brown’s ‘Then Now’ finds two fiercely individual artists blending into a creative whole without compromising their identities.
‘Once Upon a Time’ explores the possible directions that Bob James largely eschewed in favor of a more melodic – and popular – approach.
Allman Betts Band, Randy Goodrum and Ian Dury are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
A restless, progressive artist through the last 50 years, Terje Rypdal shows he can still pack large ideas into a small band within the tighter confines of a studio.
‘Birdsong’ is a respectful and classy homage to Charlie Parker and the music which has influenced Champian Fulton since she was small.
No matter how free or straight it’s played, ‘The Unidentifiable’ is always eloquent, audacious and artful. The Matthew Shipp Trio continues to set the standard for the modern jazz trio of our time.
Anna Webber builds a talented band around an idea from years earlier, and her deeper dive into that idea is well justified, judging from this galvanized performance.