Max Roach, a drummer both of unparalleled force and towering intellect, has passed. A New York Times obit talks about the dramatic scope of his life’s work: Mr. Roach’s death closes a chapter in American musical history. He was the last surviving member of a small circle of adventurous musiciansRead More

NICK DERISO: The task here was turning sweeping orchestral themes from trumpeter Terence Blanchard’s score for Spike Lee’s epic bio into a piece that not only holds together — but also comes across like a true jazz recording. Blanchard’s effort is a triumph, something memorably better than the original film’sRead More

NICK DERISO: What an enveloping, unforgettable experience: Trumpeter Dizzy Gillespie and drummer Max Roach, then bop’s most visible surviving pioneers, performing as a duo in a completely improvised concert. Neither had ever recorded a more free-form album, yet still there remains a deep affection for what came before — andRead More

NICK DERISO: When it comes to north Louisiana smooth jazz saxophonist Leroy Marshall, you expect a set that is, by turns, shot through with sweet soul ballads, great groovy moods and heaping helpings of delightful romanticism. Consider it done. The initial track on this pleasant 2006 overseas reissue, “Tupelo,” isRead More

David Witham is one of those figures in jazz who is hardly a household name to the general public, shoot, even to the jazz public. But just behind the curtain, Witham has been a major contributor to the scene. A pianist who likes to dabble in the electronic stuff, he’sRead More

by S. Victor Aaron When you put the words “Paul Motian” and “Live At The Village Vanguard” together, most jazz fans can’t help but to think of of the time this legendary drummer played at that very venue one magical Sunday in June, 1961. But there were many other enchantedRead More

by S. Victor Aaron There’s often a certain poignancy inherent in the last recordings of great musicians, and last October we examined notable final recordings of such jazz legends such as Bill Evans, Clifford Brown and John Coltrane. In that article, Goin’ Home by alto saxophonist Art Pepper was citedRead More

NICK DERISO: Art Blakey demanded bravado from his bands, and this one was perhaps his most intense and adventurous. Debuting here on Riverside, “Caravan” opens with Blakey’s audacious drum solo — then moves quickly into an assertive and simply awe-inspiring take on a track once defined by Duke Ellington. ARead More

NICK DERISO: Cuban sensation Gonzalo Rubalcaba entered the U.S. not yet a legend, but discovered by one, Dizzy Gillespie. Rubalcaba (very Corea, but with some Hancock mixed in) made a splashy debut on both the Blue Note and Messidor labels in the early 1990s — reinvigorating the Afro-Cuban jazz movement.Read More

by Pico With the release last month of Truth And Beauty by jazz organ wunderkind Sam Yahel, we find a maturing talent finding his own voice in the crowded field of Hammond B-3 players. But how does Yahel sound when he’s just jammin’ with the boys? The same boys foundRead More