Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lotRead More

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More

by S. Victor Aaron Recently I revisited an album that wore our my cassette player during late ’86-early ’87: Tutu by Miles Davis. It typically takes a long time to get the right perspective on a Miles record, he was often took a direction in music before his listeners wereRead More

by Nick DeRiso Rainbow Mist, Coleman Hawkins’ 1944 smoker on Delmark, was a brilliant record borne out of boredom. Hawkins, the tenor saxman, had already made his splash with the song “Body and Soul,” back in 1939. When he returned from living in Europe for five years, he took aRead More

Neatly mixing two of our favorite topics, Branford Marsalis pays no empty lip-service to exploring blues through the jazz idiom here. In fact, you don’t have to listen more than once to hear that’s he’s gone off the deep blue end. Any CD with appearances by B.B. King, Linda HopkinsRead More