The Quickies columns have been settling into a theme of late, a theme of pimping obscure jazzers, especially whack jazzers. Hey, I can do nothing but that for years on end, but then I’d be skipping over some albums worthy of salute that come the more mainstream side of music.Read More

My, how time flies. It didn’t seem so long ago when Wynton Marsalis spotted this young trumpet talent at a Dallas high school in the mid-eighties. Since then, Roy Hargrove has recorded fourteen albums as a leader, and another co-led with Herbie Hancock and Michael Brecker. For these efforts, he’sRead More

Last year we touched on a solid release by Steve Allee, Colours, where the seasoned Indianapolis-based pianist found delight in turning from crossover jazz to honest-to-goodness straight trio jazz. Allee must have really enjoyed making that record, because here we are less than a year later discussing another new SteveRead More

To take the old-school harmonic brilliance of Duke Ellington into the realm of John Coltane — soon to establish himself as the picture of avant garde, stimulatingly free, out there in such a way as to legitimately draw comparisons with the spiritual — was, you imagine, a challenge of equalRead More

For more than forty years, Charles Lloyd has been the small combo leader making distinctively impressionistic and soulful kind of small combo jazz. His tenor’s delicate, almost alto-like timbre is instantly recognizable from just a single note. His prolific periods of the late sixties and since the late eighties haveRead More

The story of Art Pepper’s remarkable emergence from the abyss of drug addiction and incarceration is one of the most uplifting stories among jazz greats, amongst stories that have more often ended tragically. His comeback was not only complete, but had even exceeded his earlier peak. For the last fiveRead More

NICK DERISO: Pianist Les McCann is something like a lesser Horace Silver — somebody with a soulful, bluesy delivery who often strayed a step too far into pop. This release showed why: Despite its many joys, a fat electric bass gave the CD an unwanted fusion-y feel — in particular,Read More

For this episode of Quickies, we stick mainly with the jazz genre with a couple of diversions to other styles found here and there. These new releases all start with traditional jazz, but our protagonists each put their own little twist on it. Our first entrant is a well-known quantityRead More

Here’s a case of “old school meets new school.” Saxophonist Rob Dixon, who we earlier introduced as a key player in Derrick Gardner’s Jazz Prophets, is another Indianapolis-based jazz talent who’s been getting notice since the mid-nineties as an up and comer for both his playing and composing. Hammond B3Read More

NICK DERISO: This Smithsonian Folkways release, issued today, is a hot-dawg compilation that sets up both as primer for the new-to-this and reminder for the been-there-done-that crowd. A remarkably deep catalogue has helped the label continue for years with a series of myth-confirming sets. “Classic Piano Blues” is no different,Read More