William Parker is in many ways like fellow double-bassist Dave Holland: nimble, quick, creative, accurate and full of ideas. He is also one of the rare bassists whose notes manage to capture attention even in a strictly supportive role. Village Voice calls him “the most consistently brilliant free jazz bassistRead More

by S. Victor Aaron The thing that amazes me when exploring Brazilian music is that while there are usually a lot characteristics you can find in most music out of that country, overall the music is much more diverse than the Brazilians get credit for here in America. That reallyRead More

by S. Victor Aaron I remember trombone player Josh Roseman from his notable appearance on my favorite Charlie Hunter album. He had a certain sass in his sound that stood out and made me think he wasn’t content with being a run-of-the-mill bone player. But that thought never got muchRead More

by Pico When it comes to jazz crooners, Frank Sinatra, Tony Bennett and Harry Connick, Jr. are the usual suspects most people think of. Do they all have to be the big, showy types, though? Do they have to have the big, swing orchestras, wear tuxedos, appear in movies andRead More

by Pico John Scofield hates to sit still. He rarely goes more than two or three years playing a certain variety of jazz before he abruptly switches gears. His restlessness is part of the reason why he is one of the most highly respected six-string wielding jazz musicians of thisRead More

Later this month, elite jazz guitarist John Scofield will be releasing a new CD, This Meets That, which includes Scofield’s long time friend and sometimes bass player Steve Swallow. I’ll be covering that CD real soon, but listening to this fresh new offering from Scofield harks back to his daysRead More

by S. Victor Aaron Orchestral jazz seem to be a dying art these days. Oh sure, there are Ellington, Monk and Mingus tribute bands, but there seems to be a dearth of composers creating new works. Well OK, maybe that’s a little dramatic. In reality, such jazz composers still doRead More

Max Roach, a drummer both of unparalleled force and towering intellect, has passed. A New York Times obit talks about the dramatic scope of his life’s work: Mr. Roach’s death closes a chapter in American musical history. He was the last surviving member of a small circle of adventurous musiciansRead More

NICK DERISO: The task here was turning sweeping orchestral themes from trumpeter Terence Blanchard’s score for Spike Lee’s epic bio into a piece that not only holds together — but also comes across like a true jazz recording. Blanchard’s effort is a triumph, something memorably better than the original film’sRead More

NICK DERISO: What an enveloping, unforgettable experience: Trumpeter Dizzy Gillespie and drummer Max Roach, then bop’s most visible surviving pioneers, performing as a duo in a completely improvised concert. Neither had ever recorded a more free-form album, yet still there remains a deep affection for what came before — andRead More