by S. Victor Aaron Last year we spotlighted a trio of CD’s that made up the maiden releases by a new record label, the artist-run collective Brooklyn Jazz Underground Records. A year later last June, there were three more BJU records to examine. And here we are less than sixRead More

by Pico To say Anson Wright is diversely multi-talented is like saying that the sun is hot. This true rennaisance man who graduated from Princeton has drove taxis, built cabinetry, run a trucking company and written published novels and poetry. He also knows a thing or two about playing aRead More

Some might see the acoustic guitar as an apparatus for playing folk, blues, soft rock, and anything that’s smooth and gentle. Duck Baker prefers to see it as an instrument of limitless possibilities. Sure, Duck might have started out playing those predictable styles of music when he embarked on aRead More

by S. Victor Aaron Steve Smith is a man with a common name and an uncommon ability to beat the skins. Looking back at his entire career, that 1978-85 stint with the superstar arena rock group Journey during its classic period looks like an aberration to Smith, who has madeRead More

by S. Victor Aaron After forty years in the business, ECM remains one of the busiest jazz labels around, and if anything, they’ve been picking up steam lately. That might be because they continue to bring on exciting new artists while continuing their amazing ability to retain so many ofRead More

by Pico When musicians get together for jam sessions at a restaurant or a music house after the marquee gigs are done, that’s called a “late set.” It’s been a part of the NYC jazz scene at least since guys like Charlie Christian, Thelonius Monk, Kenny “Klook” Clarke, Charlie ParkerRead More

by Pico Last year I devoted precious little space to praise a then-new album by bassist-composer Ben Allison called Little Things Run The World. The brief praise didn’t really do the record justice, as Allison is a certain kind of composer and bandleader who can build rib-sticking compositions and findRead More

by S. Victor Aaron The Two-fer isn’t a double celebration of a single artist, but rather of a single instrument: the trombone. I’ve always liked that warm, brassy sound with its slippery pitch variations that gives it a colorful, almost-human character. An instrument that has been there in jazz’s earliestRead More

photo: Chris Barber The history of jazz is a history of a continuum of leaders where the next generation of shining stars emerge when the leaders of the prior generation are still in their prime period. The torch of the premier trumpet player passed on from Louis Armstrong to DizzyRead More

by S. Victor Aaron About six weeks ago we saluted some amazing young women who stand poised to make a lot of noise in the man’s world of jazz instrumentalists. One of those is releasing her debut album on this very day, a unique bass player who goes by theRead More