A canny mixture of an old-school swinging style with the then-new cool sound, even if its name sounds like a goof. Shorty Rogers, who’d first garnered attention as part of bands led by Woody Herman (both the first and second Herds) and then Stan Kenton, had a way of confoundingRead More

Maybe it’s just me, but I think we’re in the midst of a full-fledged revival in jazz organ, led by a newer generation of players who have gone beyond mimicking the tried and true voicings of Jimmy Smith, Jack McDuff and Richard “Groove” Holmes. In that group of innovative newRead More

This remains – often like Pat Metheny himself – more subtle than overpowering, an album that continues to reveal its quiet, darkly emotional secrets.

by S. Victor Aaron When Jon Irabagon signed with the mighty Concord Records after bagging the 2008 Thelonious Monk International Jazz Competition for saxophone, you might assume that he would have left behind his wild side to become a more “serious” player. But his continued involvement in the gangsta jazzRead More

photo: Jimmy Katz by S. Victor Aaron When a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy. We witnessed this with Art Tatum’s Solo Masterpieces recordings made at the end of his life. The same goesRead More

By Mark Saleski Many years ago, while stuck in traffic during the evening commute, I heard a radio segment on microtonal composer Easely Blackwood. I had read about things like microtones, 24-note equal tunings, and the like, but somehow none of the music had ever made it’s way into myRead More

by Pico It used to be, all good jazz originated out of New Orleans, then Chicago, then New York. And a lot of it still does these days. Eventually, Western Europe became the place of origin for a lot of great jazz for several generations, now, and even Eastern EuropeRead More

By Mark Saleski Have you ever been minding your own business when an old experience, one you hadn’t thought about in years, just pops into your mind? That happened to me the other night, and I have no idea why. I had been up late reading, had just returned fromRead More

By Mark Saleski Odd instruments in jazz: pedal steel guitar, theremin, the Samchillian (You’ll have to trust me on this one. Its “formal” name is the “Samchillian Tip Tip Tip Cheeepeee.” Don’t believe me? Look it up), the harmonica, the human voice (if you’re Shooby Taylor or Mike Patton), theRead More

by Pico Like the proverbial fine wine, James Moody only gets mellower and better with age. A seasoned saxophone and flute veteran who was in Dizzy Gillespie’s original big band of the later 1940’s and most famously the author of everyone’s favorite vocalese jazz tune “Moody’s Mood For Love,” (withRead More