by S. Victor Aaron Howard Wiley’s The Angola Project (2007) created a lot of buzz and put his name firmly on the jazz map. It wasn’t so much for the tenor saxophonist’s playing or inventing a whole new style of jazz. Rather, the acclaim came from the attention he broughtRead More

This past July the Axis Trio released Anthem, and it’s one of those defining records for this young and fledgling jazz threesome. The Axis Trio is comprised of pianist Amino Belyamani, bassist Sam Miniae and drummer and percussionist Qasim Naqvi. Belyamani is from Morocco, while Miniae is Iranian-American and NaqviRead More

by Pico Danilo Pérez is a name that’s come up often in this space whenever I’m boasting about what big names such-and-such artist has performed and/or recorded with. So, on the occasion of Pérez’s latest CD Providencia, perhaps it’s time to devote a little space to the guy who hasRead More

by Mark Saleski She put on Stevie Wonder’s “Living For The City” and then asked us to call out the instruments that we heard. I don’t really remember how we all did, but that moment has always stayed with me. An actual music class in middle school. It wasn’t justRead More

by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IFRead More

“Different and original,” “Blur(s) stylistic boundaries,” “developed a new music all her own” are phrases that have been used to describe the music of San Francisco Bay area trumpeter and singer Sarah Wilson. Those are just the phrases that popped in my mind as soon as I popped Trapeze ProjectRead More

by Mark Saleski A variant of the “I remember exactly where I was when I first heard this” thing is the phenomenon of incomplete Déjà Vu. This occurs when you hear a piece of music and it seems totally familiar … except … hmmm … what was it? The musicRead More

photo: Jason Quigley by S. Victor Aaron Although we don’t really cover indie rock on our little corner of the blogzine world, I’m often intrigued by musicians who approach jazz from the indie angle. They don’t swing and they usually don’t try to dazzle with labored technique. Most times theRead More

by S. Victor Aaron Two years is not a long time between albums, and Charles Lloyd has maintained a steady output of an album every couple of years and sometimes every year since hooking up with ECM Records in the late 80s. It’s impressive when keeping in mind that LloydRead More

by Mark SaleskiOver the years, there have been a lot of musical hybrids that have surprised our ears by revealing hidden commonalities in melded musical genres. For instance, I’m fairly certain that my only exposure to hip-hop back before the mid-1980’s was with Sugar Hill’s “Rapper’s Delight,” and Blondie’s “Rapture.”Read More