by S. Victor Aaron From the first, lonely wails notes from Wadada Leo Smith’s trumpet on the propulsive “Uprising,” it becomes crystal clear that this is no ordinary session. Smith and classic-period Ornette Coleman drummer Ed Blackwell had a longstanding friendship, and when the two lived near each other inRead More

Cassandra Wilson, who consistently defies convention as this restless chanteuse, doesn’t disappoint with Silver Pony — issued today on Blue Note as the long-awaited part-in studio, part-live followup to her celebrated Loverly. She has the vocal phrasing, the dusky intellect, of Charlie Parker and the elastic intuition of Betty Carter.Read More

by S. Victor Aaron Schroeder is part of an emerging and exciting new crop of tradition-minded jazz talents like Michael Dease, Graham Dechter and Hailey Niswanger. As a baritone saxophonist, though, Schroeder is keeping alive a flame that’s been flickering probably since Gerry Mulligan’s death in 1996. Schroeder’s debut ARead More

by S. Victor Aaron What a stellar year it’s been for Posi-Tone Records. They’ve generated record after record of honest-to-goodness mainstream jazz done with taste, style, with exceptional sidemen and flawless production. After reviewing zero releases prior to 2010, we’ve now given our impressions on a dozen releases, eleven ofRead More

Fusion guitarist and Berklee grad Todd Clouser splits his residency between the frigid climes of Minneapolis, MN and the balmy, seaside vistas of Los Cabos, Mexico at the tip of the Baja California peninsula. Like scenery, Clouser enjoys contrasts in his music, too. After fronting a number of rock bands,Read More

A couple of years back keyboardist and composer Pete Levin put forth Certified Organic, the second in a string of Hammond B-3 jazz records he’s recently taken an interest in making. It was a thoroughly enjoyable set, one that sizzled and simmered in all the right places, and we hadRead More

by S. Victor Aaron The nattily-dressed alto-sax player from the Netherlands, Benjamin Herman, released Hypochristmastreefuzz in 2008, following up on his 2001 live album with the great Dutch avant garde composer Misha Mingelberg with a studio album of Mingelberg tunes. These sessions are released again in 2010, but supplemented withRead More

by S. Victor Aaron Last year’s Colorfield was Joe Morris’ convincing debut for ESP-Disk. This year’s follow-up follows the same strategy of going without a bass (an instrument that he, ironically, is very proficient at), but instead of piano this time, there’s a cello (by Junko Fujiwara Simons) and violinRead More

by S. Victor Aaron Gebhard Weber is the German sax and bass clarinet player we introduced here last spring when reviewing the new album by the combo he co-leads with trombonist Steve Swell, The Ullmann|Swell 4. Ullman has other projects going, though and the Conference Call whack jazz supergroup heRead More

by S. Victor Aaron A record that truly lives up to its title, composer, arranger and horn player Rafi Malkiel creates a stew of orchestral klezmer jazz, Latin jazz, classical, and European folk music that is themed around H2O. Throughout every cut, water can be heard as a percussion instrument,Read More