photo: Jason Quigley by S. Victor Aaron Although we don’t really cover indie rock on our little corner of the blogzine world, I’m often intrigued by musicians who approach jazz from the indie angle. They don’t swing and they usually don’t try to dazzle with labored technique. Most times theRead More

by S. Victor Aaron Two years is not a long time between albums, and Charles Lloyd has maintained a steady output of an album every couple of years and sometimes every year since hooking up with ECM Records in the late 80s. It’s impressive when keeping in mind that LloydRead More

by Mark SaleskiOver the years, there have been a lot of musical hybrids that have surprised our ears by revealing hidden commonalities in melded musical genres. For instance, I’m fairly certain that my only exposure to hip-hop back before the mid-1980’s was with Sugar Hill’s “Rapper’s Delight,” and Blondie’s “Rapture.”Read More

A canny mixture of an old-school swinging style with the then-new cool sound, even if its name sounds like a goof. Shorty Rogers, who’d first garnered attention as part of bands led by Woody Herman (both the first and second Herds) and then Stan Kenton, had a way of confoundingRead More

Maybe it’s just me, but I think we’re in the midst of a full-fledged revival in jazz organ, led by a newer generation of players who have gone beyond mimicking the tried and true voicings of Jimmy Smith, Jack McDuff and Richard “Groove” Holmes. In that group of innovative newRead More

This remains – often like Pat Metheny himself – more subtle than overpowering, an album that continues to reveal its quiet, darkly emotional secrets.

by S. Victor Aaron When Jon Irabagon signed with the mighty Concord Records after bagging the 2008 Thelonious Monk International Jazz Competition for saxophone, you might assume that he would have left behind his wild side to become a more “serious” player. But his continued involvement in the gangsta jazzRead More

photo: Jimmy Katz by S. Victor Aaron When a great, small combo jazz pianist makes a solo record, it usually doesn’t signal that pianist’s arrival, it means he’s solidifying his legacy. We witnessed this with Art Tatum’s Solo Masterpieces recordings made at the end of his life. The same goesRead More

By Mark Saleski Many years ago, while stuck in traffic during the evening commute, I heard a radio segment on microtonal composer Easely Blackwood. I had read about things like microtones, 24-note equal tunings, and the like, but somehow none of the music had ever made it’s way into myRead More

by Pico It used to be, all good jazz originated out of New Orleans, then Chicago, then New York. And a lot of it still does these days. Eventually, Western Europe became the place of origin for a lot of great jazz for several generations, now, and even Eastern EuropeRead More