Photo: Shawn Brickbill/High Two It’s been quite a while since the bassist and composer Michael Formanek has led a date but with his ECM debut The Rub And Spare Change, he’s more than made up for lost time. Out since October 12, The Rub marks his return as a leaderRead More

One of the bigger regrets I’ve had with this site was missing the opportunity to review Rudresh Mahanthappa’s Kinsmen when it was released two years ago, because this saxman of Indian descent did such a brilliant job in combining traditional Indian music with traditional jazz. Last week, the debut albumRead More

by Mark Saleski, at Binghamton University, Vestal, N.Y. Oh dear, I was this close to feeling disappointed. I loved the Orchestrion concept and music so much that tickets were procured and a trip was planned (across southern New Hampshire, Vermont, and all the way out past Albany to Binghamton, NY)Read More

by S. Victor Aaron Howard Wiley’s The Angola Project (2007) created a lot of buzz and put his name firmly on the jazz map. It wasn’t so much for the tenor saxophonist’s playing or inventing a whole new style of jazz. Rather, the acclaim came from the attention he broughtRead More

by Pico This past July the Axis Trio released Anthem, and it’s one of those defining records for this young and fledgling jazz threesome. The Axis Trio is comprised of pianist Amino Belyamani, bassist Sam Miniae and drummer and percussionist Qasim Naqvi. Belyamani is from Morocco, while Miniae is Iranian-AmericanRead More

by Pico Danilo Pérez is a name that’s come up often in this space whenever I’m boasting about what big names such-and-such artist has performed and/or recorded with. So, on the occasion of Pérez’s latest CD Providencia, perhaps it’s time to devote a little space to the guy who hasRead More

by Mark Saleski She put on Stevie Wonder’s “Living For The City” and then asked us to call out the instruments that we heard. I don’t really remember how we all did, but that moment has always stayed with me. An actual music class in middle school. It wasn’t justRead More

by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IFRead More

“Different and original,” “Blur(s) stylistic boundaries,” “developed a new music all her own” are phrases that have been used to describe the music of San Francisco Bay area trumpeter and singer Sarah Wilson. Those are just the phrases that popped in my mind as soon as I popped Trapeze ProjectRead More

by Mark Saleski A variant of the “I remember exactly where I was when I first heard this” thing is the phenomenon of incomplete Déjà Vu. This occurs when you hear a piece of music and it seems totally familiar … except … hmmm … what was it? The musicRead More