Yet another product from Moppa Elliot’s Hot Cup Records, which already says a lot about a record that shares the same label as Bryan And The Haggards, Puttin’ On The Ritz, and Mostly Other People Do The Killing. But we were already saying things — nice things — about Lundbom’sRead More

by Mark Saleski Jazz fans have always been sort of coy with the word ‘fusion.’ We like to make jokes about it, even applying a nickname of sorts — The F-Word — because we’d hate to admit that we’re ever serious about the genre. Yeah, fusion seems to get theRead More

  by S. Victor Aaron For a lot of us, our first exposure to jazz was those Charlie Brown TV specials featuring the piano trio music of Vince Guaraldi. Then again, some Disney films like 101 Dalmations, Lady And The Tramp and especially The Aristocats contained jazz or jazz-y tunes.Read More

Imagine a musician who was totally immersed in his craft. Imagine that person setting down his instrument for 45 years. All of those decades away (and I’m sure Mort is tired of hearing about this story), all of that bad living. A reasonable person might think that attempts at aRead More

Simplicity is a key to why ‘Largo’ is such a stunning album from an already well-established artist of Brad Mehldau’s stature.

by S. Victor Aaron Even early on, from the time I first began to explore jazz, I sensed there was something different about the Dave Brebeck Quartet’s drummer, Joe Morello. When I began to spin my Dad’s scratchy old Brubeck records, I’ll never forget hearing weird time signatures for the firstRead More

Photo by John Broughton by S. Victor Aaron Like William Parker, Anthony Braxton and Rahsaan Roland Kirk, Ernest Dawkins is an avant garde jazz guy who doesn’t give a damn if the music he plays is dissonant or tuneful, it’s all about if it sounds right, period. By extension, the saxophonist’sRead More

Photo from www.BobbySelvaggio.com by S. Victor Aaron For a serious post-bop performer to take a leap into Grooveland, it can often be a risky bet. Will they be able to keep their artistic integrity? Will they even care? A couple of years ago, alto saxophonist Bobby Selvaggio made his secondRead More

Photo from After Midnight’s gigsalad.com web page by Nick DeRiso Clarinetist Roger Campbell has turned an enduring passion for swing legend Benny Goodman into a sizzling six-piece jazz project called After Midnight. It’s perhaps no surprise, then, that a new live effort finds him slithering his way through “Memories ofRead More

Photo from Jos Knaepen/ amsterdamjazzagency.com by S. Victor Aaron When I first started the Stacks series last year, I had two formatting rules about it: each artist was to be allotted one paragraph each and there must be at least six albums examined. I’m bending both rules this time, asRead More