‘Shine Thru’ presents Dan Schnelle as not just a fine drummer but a complete artist who already has it all figured out.

The triumph of Anthony Fung’s ‘What Does It Mean to Be Free’ comes from distilling all of his bountiful ideas into an articulate and unified set of works.

Preston Frazier discusses the new album ‘Precarious Towers’ with Johannes Wallmann, who we last spoke with about 2018’s terrific ‘Love Wins.’

‘Cascadia’ confirms Dmitri Matheny’s rightful place as the heir to the flugelhorn giant and his old mentor, the late great Art Farmer.

Here is the video premiere of “Bouncin’ at Bonafide” by talented Toronto up-and-coming saxophonist Jacob Chung and his quintet.

Matthew Shipp’s compositional skills are standout on his trio’s latest collection ‘World Construct,’ usually an approach that is at once very captivating and idiosyncratic.

Aristocrats, David Binney and Ben Craven are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

With the long-deferred release of ‘The Lost Album From Ronnie Scott’s,’ there is now a significant new addition to the Charles Mingus catalog to discover and marvel at.

‘John Scofield’ shows that in stripping down the arrangements to just his parts, there remains a lot of him left to uncover.

The disparate artistry of Will Bernard comes into sharper focus on ‘Pond Life’ because he pulls all those threads together into one tidy package.