As the poignant, expressive piano voice behind both of Adele’s albums, Neil Cowley has a sound that seems immediately familiar. Yet he doesn’t simply rely on that famous association to push along Radio Silence. You May Also Like: No related posts.

A friend of mine, who I just recently turned on to the pleasures of the LP (he’s hooked for sure now), picked up a copy of 2:00 A.M. Paradise Cafe at the Goodwill store. He might have paid a buck for it. You May Also Like: Ginger Baker (1939-2019): AnRead More

The Le Boeuf Brothers, like many of the younger jazz musicians today, crave bashing up jazz of their formal training with the Bjork, Radiohead and Sufjan Stevens of their iPod playlists. And as I’ve come to realize, this often has great results. But these identical twins, Romy (reeds) and PascalRead More

A huge find. Drummer Motian employed two saxes (Joe Lovano, Jim Pepper), bassist Ed Schuller and Bill Frisell (before he was really Bill Frisell, if ya know what I mean). OK, that’s not quite right about Frisell. He does use a volume pedal to get that attackless sound. But there’sRead More

Born in Soho and raised mostly at Long Island, the sights, sounds and ways of the Big Apple were never foreign to tenor specialist Jake Saslow. You May Also Like: No related posts.

Twenty-two year-old Alex Brown presented his debut album Pianist a couple of months ago with a big boost from his mentor of the last four years, Cuban-American sax giant Paquito D’Rivera. Sure enough, this record has the unmistakable flavor of Cuba You May Also Like: The Crazy World of ArthurRead More

There’s not a whole lot of jazz performers who first started out recording in the 50s and are still doing so today, but as I listen to Cedar Walton’s latest The Bouncer, I’m a lot more apt to think how vibrant he still sounds than how long the 77 yearRead More

That Sidony Box, a French trio, has chosen to explore jazz rock is anachronistically interesting enough. But they’re doing it without the musical GPS of a bass — something that allows guitarist Manuel Adnot, drummer Arthur Nancy and saxophonist Elie Dalibert to wander around these wide open spaces. What theyRead More

Christian McBride’s new duet with Sting, a smart and groove-filled take on 1985’s “Consider Me Gone,” shows again why the former Police frontman’s original synthesis of new wave and jazz seemed so interesting in the first place. You May Also Like: Sting – 57th and 9th (2016) The Police –Read More

One night back in the late 1970s, me and my cousin Andy were playing a game of backgammon (cripes, that really was a long time ago … I remember there was a Styx Grand Illusion poster on the wall You May Also Like: Why Pat Metheny’s ‘New Chautauqua’ Still ProvidesRead More