A two-day event in May called “The Music of Jelly Roll Morton” will feature Marcus Roberts performing favorites from the Morton legacy as part of the Jazz at Lincoln Center series in the Rose Theater. You May Also Like: Wynton Marsalis Finally Learned How to Have Fun Again With ‘TheRead More

Paul Simon will by joined by Wynton Marsalis for a trio of shows beginning with Jazz at Lincoln Center’s 2012 annual gala concert on April 18th. Two public shows will follow on April 19-20, also at the Rose Theater in New York City. You May Also Like: Wynton Marsalis FinallyRead More

After a desultory, red-light district blast of horns, the Wynton Marsalis-led Jazz at Lincoln Center Orchestra settles into this funereal rhythm, swaying from side to side as Eric Clapton rips off a few blues-simmered, heartfelt asides. If you hadn’t checked the liner notes, the song itself — a signature momentRead More

In a way, Christian McBride has been working on this big-band project all along. The talented jazz bassist’s interest in this format began almost 20 years ago You May Also Like: Christian Marien Quartett – ‘How Long Is Now’ (2024)

The lyrics have changed over these many years, but the mythical journey of Stagger Lee — “that bad man, oh, cru-el Stagolee” who shot a card-playing companion over a five-dollar Stetson hat — remains this talismanic tale. You May Also Like: Taj Mahal and Keb’ Mo’ – Tajmo (2017)

Willie Nelson and Wynton Marsalis continue a stirringly offbeat musical dialogue begun with their 2008 release Two Men with the Blues, this time focusing on the music of Ray Charles. You May Also Like: Willie Nelson Found a Worthy Foil on the Diverse, Rootsy ‘Willie and the Wheel’ Wynton MarsalisRead More

Wynton Marsalis and Willie Nelson shared a stage in one of the most satisfyingly offbeat pairings from a regimentally segregated musical era.

The Quickies columns have been settling into a theme of late, a theme of pimping obscure jazzers, especially whack jazzers. Hey, I can do nothing but that for years on end, but then I’d be skipping over some albums worthy of salute that come the more mainstream side of music.Read More

by Nick DeRiso While it doesn’t have the cohesiveness of 1992’s “Portraits of Ellington,” this makes its own kind of statement. The playlist is an evocative pairing of older, traditional big-band selections by composers like Billy Strayhorn, with more modern tunes from Miles, Monk and Coltrane. In that way, theRead More