There was no pressure to formulate a plan, as an album wasn’t on their minds. So, Allison Miller and Jane Ira Bloom played with total abandon.

Sometimes even musicians like Jane Ira Bloom who thrive on the edge feel a need to go back to a simpler time when the beauty of a melody was paramount.

photo: Tom Lau S. Victor Aaron In preparing to assess Jane Ira Bloom’s brand new CD Wingwalker, I pulled out the prior one, the excellent Mental Weather from 2008. The striking comparison between the two became obvious before I even pulled the CD from the sleeve; I quickly noticed thatRead More

This is Part Four overall, but the last part of the “Best of Jazz” trilogy. While the last section focused on fusion, here’s where we’re gettin’ wiggy with it because this section is devoted to whack jazz. Looking back, I’m disappointed in myself that I didn’t cover that many newRead More

photo by Jack Vartoogian The first thing that is usually said about Jane Ira Bloom is that she is the rare jazz saxophonist who plays the soprano sax…exclusively. With so many prominent forebears who made made memorable music on the straight horn ranging from John Coltrane to Dave Liebman, itRead More