Ivo Perelman and Nate Wooley once again push each other to peak performances, and since their peaks are high, so is the level of improvisation.

Ivo Perelman is up to his usual tricks o ‘Molten Gold,’ making up melodies on the run with trombone great Ray Anderson for four amazing improvisations.

Ivo Perelman’s one-on-one improvisations with 12 distinct reedists ‘Reed Rapture In Brooklyn’ is the story of an ambitious project told through a box set of recordings now being told through a full-length documentary.

The unworldly communion of Ivo Perelman and Matthew Shipp is a sacred musical bond. During ‘Live In Carrboro,’ Jeff Cosgrove uncannily knows just how to not only keep that bond intact, but strengthen it further.

‘Artificial Intelligence’ has certain qualities brought by Elliott Sharp that are novel even by Ivo Perelman’s standards.

On ‘Triptych I, II & III,’ Ivo Perelman and Matthew Shipp never, ever wander aimlessly trying to figure out what to play next. It all comes out naturally and it comes in the form of actual melodies, even if those melodies are constantly shifting and mutating.

Ivo Perelman and Joe Morris are hardly the first saxophone-guitar duo, but they take that combination to its highest possible level with ‘Elliptic Time.’

Joe McPhee’s got earnest humanity and spirituality coming out of his tenor sax by the buckets, qualities that for certain attracted him to Ivo Perelman.

Hearing Roscoe Mitchell on ‘Reed Rapture in Brooklyn’ is a feast. Doing so with another vanguard saxophonist in Ivo Perelman makes it all the more special.

Joe Lovano – a titan of modern and mainstream jazz – finds a lot of common ground with a titan of free jazz, Ivo Perelman.