Bob Dylan has played with a lot of electric guitarists. Fine players, all. One stands alone, however, in this long musical history: Robbie Robertson.

The Cure, appearing at this year’s Bestival, offered a fibrous retrospective — tearing its textured later gothy efforts down to a nervy, straight-forward post-punk vibe that recalled the group’s breakthrough triumphs. You May Also Like: How I Belatedly Learned to Love the Cure’s ‘Wish’ The Cure, May 26, 2016: ShowsRead More

You’re to be forgiven — even if you were there — for missing this one. Seems, because of lengthy set overruns by the bands that preceded them, the Who didn’t take the stage at the 1970 Isle of Wight Festival until the no-kidding hour of 3 a.m. (The bill thatRead More