An offbeat rumination on love, Debbie Miller’s new EP Measures + Waits finds a way to pull no punches, even as it pulls a few jokes — no easy task. You May Also Like: Debbie Gifford – Changes (2018) Of All the Tom Waits Albums, ‘Real Gone’ May Be theRead More

Australian Phillip Michael Vasiliades shows a stirring command of the power and joy of 1970s pop and rock on Crashed Dreamed Boomed, and he does it without ever sounding derivative. You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind

Alex “Apolo” Ayala marries modern jazz ideas with Latin-inspired rhythms, connecting the ideas with a blend of spry originals and brilliantly reworked classics. Not that it seemed that way at first. You May Also Like: Pagliuca-Mena Sextet – El Templo de Las Ideas (2018) Arema Arega – ‘The Red Soundtracks’Read More

Mervyn “Harmonica” Hinds, a regular on the Chicago blues scene of decades, was once one of the best sidemen that nobody knew. That’s changed more recently, as Hinds has begun issuing albums under his own name in regular intervals. You May Also Like: Illinois Speed Press – ‘Illinois Speed Press’Read More

A Fragile Tomorrow continues to explore 1980s indie-rock sounds here, even as they steadily build upon those core influences.

Australian singer-songwriter Lez Miles, best known as a founding member and lead guitarist with the 1980s hitmakers Adelaide, has crafted a cinematic project that follows the story of a soldier named Franklin. You May Also Like: Jan Hammer – Seasons Pt. 1 (2018) When Miles Davis Finally Looked Back onRead More

Typically featuring a one-man band, EP-Deluxe Edition by the Tektonics was always destined to rise or fall based on the creative stimulus of Adam De Lucia. You May Also Like: No related posts.

With “Eyeoneye,” Andrew Bird finds a great middle ground between the rather over-earnest sound of his early solo records and the broader ambitions of his old band Bowl of Fire. You May Also Like: Andrew Bird’s ‘Noble Beast / Useless Creatures’ Was as Challenging as It Was Gorgeous

Susie Fitzgerald offers a series of richly textured, bravely constructed, profoundly moving and ultimately deeply inspirational story-songs on Plenty. But first, she kicks up her heels a little. You May Also Like: Ella Fitzgerald, “Perdido” (1949): Appreciations Robert Randolph & the Family Band – Got Soul (2017)

“As the shadows of darkness creep upon us, the Surfin’ Criminal on his 350 Scrambler, rides the north-east motor speedway in search of his revenge,” states this Italy-based band in the inner sleeve of their most recent effort. Considering Greetings From The North-East Motorspeedway contains no lyrics, as it isRead More