A fourth LP is in the offing for that avant-Chicago/folk-Brazilian amalgam, the São Paulo Underground. Rob Mazurek (cornet, electronics), Guilherme Granado (keyboards, electronics) and Mauricio Takara (drums, percussion, cavaquinho, electronics) are back You May Also Like: Rob Mazurek Quintet’s hypnotic, diverse Sound Is rewarded close listens Rob Mazurek’s Black CubeRead More

Recorded early in the year, Futura was initially intended to be a solo effort by Hillary Burton, who garnered accolades as one-half of the Southern California based Nushu, which also included Lisa Mychols. But shortly after the project was completed, Honeychain ballooned into a full-blown band You May Also Like:Read More

Patrick Cress’ brainchild Mercury Falls is back again three years after they debuted with a project I previously opined that in their alchemy of jazz and alt-rock, “these guys figured it out right from the start.” You May Also Like: Ivo Perelman, Mark Helias + Tom Rainey – ‘Truth Seeker’Read More

Midwesterner Dan Hazlett ambles out on The Corner of My Eye with a gently undulating cadence and an ever-so-comfy vocal on “The Alchemy of Fish,” beginning an album-long connection with every classic 1970s-era singer-songwriter type. You May Also Like: Dan Auerbach + The Arcs, “Stay in My Corner” from Yours,Read More

Sasha Papernik isn’t the first person to attempt to untangle the verities of love in song. Yet Victory, a dark and dangerous piece of noir-inspired songcraft, lures you in anyway. You May Also Like: King Mud – Victory Motel Sessions (2016) Sasha’s Bloc + Jane Monheit, “Feels Like Jazz” (2015):Read More

From its band name –– which sounds like a something off the front porch of a shotgun shack — to its muscular, harp-driven opening track, you’d be forgiven for assuming Gator and Mudcat’s Back in the Game was just another blues-rocking project. You May Also Like: Tom Petty and theRead More

Alex Snydman grew up playing guitar and didn’t decide until he was already well into college to switch over to the drums. He’s been pushing hard to make of for lost time ever since, learning under masters like Eric Harland, Joe La Barbera and Damion Reid. You May Also Like:Read More

Mike McGuire’s new six-song Americana EP Kentucky Morning takes the themes and atmospheres of 2011’s Beyond the Ark to a darker, more contemplative place. You May Also Like: Chad Bradford, “Friday Morning Rain” (2015): One Track Mind Lucas Lee – ‘Lowered Expectations’ (2018)

It’s classical. No, wait. It’s contemporary jazz. Sure, but that’s not exactly it, either. Latin pop? That, too. In fact, Quattro’s deliciously uncategorizable forthcoming album Popzzical includes all of that, but ultimately fits somewhere in between. You May Also Like: Luca Crispino, Danilo Gallo, Luca Pighi + Roberto Zorzi –Read More

Optic Yellow Felt takes the rangy concepts of folk and jazz and sparks it up with the complex emotional underpinnings of classic turn-of-the-1970s rock on this deeply involving — and yet utterly listenable — self-titled debut. You May Also Like: Dario and the Clear – ‘Optic Nerve’ (2021) Elton John’sRead More