When Jazz Guys Got Funky, Underrated Edition: Gimme Five
A look at five jazz albums with grooves in the pocket – even if they weren’t much in the press.

A look at five jazz albums with grooves in the pocket – even if they weren’t much in the press.

The Eagles and Tom Petty play the New Orleans Jazz and Heritage Festival for the first time, as 2012’s lineup is announced for the sprawling outdoor music event featuring rock, jazz, Americana, gospel, rhythm and blues, Cajun and zydeco. You May Also Like: Mudcrutch’s belated self-titled debut brought Tom PettyRead More

On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to the boundary-pushing Nicholas Payton You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)
Find out which Headhunters track Bill Summers describes as “nasty,” then go inside the sessions as they completely reimagine a Herbie Hancock classic.
Bill Summers shares thoughts on a new album, his rejuvenated collaboration with Irvin Mayfield and some of those classic Headhunters sides.

We’ve heard this all before, right? Not exactly: The New Orleans-based Pat Casey opens the second of two interpretations of Herbie Hancock tunes with a gurgling bass before Rex Gregory and Ashlin Parker join in with on sax and trumpet, respectively, to restate the swinging, salacious, but by now unfortunatelyRead More

Part of the genius of Miles Davis (aside from the incredible compositions, insanely great trumpet work, and spooky ability to play just the right notes) was his amazing talent for selecting band members. You May Also Like: How Bennie Maupin Left Mwandishi Behind on ‘The Jewel in the Lotus’ WhyRead More

The late Don Grolnick made only one fusion record, but it was a real beaut. by S. Victor Aaron Ahhh, the 80s. Big hair, big synthesizer sounds and programmed beats. That didn’t just happen with pop and rock, some of these trends seeped into contemporary jazz, too. This was theRead More

Like the best Herbie Hancock ballads, “Butterfly” has inner complexity, outer beauty, – and a little mysteriousness.

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More