Glyn Johns lashes out at Phil Spector’s work with the Beatles: ‘Let It Be is a bunch of garbage’
Glyn Johns, who did an early mix of the Beatles ‘Let It Be’ before Phil Spector added his infamous Wall of Sound, remains horrified 45 years later.
Glyn Johns, who did an early mix of the Beatles ‘Let It Be’ before Phil Spector added his infamous Wall of Sound, remains horrified 45 years later.
The songs, after a long time away, just started floating to the surface for Benmont Tench. He’d been a member of Tom Petty’s staggeringly underrated band the Heartbreakers forever, had even had a Nashville writing gig for a time. You May Also Like: Tom Petty and the Heartbreakers’ gritty MojoRead More
It’s perhaps unsurprising that nobody recognizes Benmont Tench, for too long the faceless soul of Tom Petty’s Heartbreakers. After all, singers and guitar players are typically the focal points. You May Also Like: Tom Petty and the Heartbreakers’ gritty Mojo was more than just the blues Mudcrutch’s belated self-titled debutRead More
Amy Winehouse vet Mark Ronson’s work on a forthcoming Paul McCartney studio effort, the former Beatle’s first mainstream pop album as a solo artist since 2007’s Memory Almost Full, has gotten all the headlines. The truth is, Ronson’s one of several collaborators on the project. You May Also Like: PaulRead More
Glyn Johns, who engineered Led Zeppelin’s 1969 self-titled debut, basically stumbled upon a new way of recording drummer John Bonham — creating the dynamic stereo cadences that drive tracks like “Communication Breakdown.” You May Also Like: Glyn Johns lashes out at Phil Spector’s work with the Beatles: ‘Let It BeRead More