“The Star Club Tapes”: this very phrase inspires spirited debate among Beatles fans.

Longtime fans have noted that Journey legend Neal Schon has something in common these days with Blue Öyster Cult, Motörhead and Mötley Crüe: The umlaut. He’s explaining why now. You May Also Like: Neal Schon, “Lady M” from Vortex (2015): One Track Mind

New World Underground is already the Nuremberg trash metal band Mechanix’s third album, and we’ve come to expect certain things: Namely, groovy and melodic metal songs. You May Also Like: Ivo Perelman and Matthew Shipp – ‘Live In Nuremberg’ (2019) The Crazy World of Arthur Brown, “Fire” (1968): One TrackRead More

With Stripped to the Bone, Eat the Gun offers a superb rock album with few frills. That starts with the first single “Loner,” recorded in their own studio with producer Stephan Hinz of H-Blockx fame. You May Also Like: Mike Keneally – ‘The Thing That Knowledge Can’t Eat’ (2023) WhyRead More

Detailing almost the precise moment that Ritchie Blackmore began his transition toward ren-faire rock, this 1995 Rainbow performance for Germany’s Rockpalast isn’t by any means essential — but it sure is interesting. You May Also Like: Moody and mystical, Ritchie Blackmore’s Rainbow debut launched medieval metal

With a couple of rock solid trio records for ECM Records under her belt, the jazz pianist from Bonn, Germany undertakes something a little different for her third go around with the storied label. You May Also Like: Julia Biel – ‘Black and White Volume 1’ (2020) Marcin Wasilewski TrioRead More

Recorded for Rockpalast in 2008, ‘Rocks Europe’ finds Blue Cheer in full flight, just a year before Dickie Peterson passed.

If you have any doubt who the greatest singer in the history of metal, heck, maybe in the history of rock ‘n’ roll is, just pop this DVD into your player and fast forward to the second song. You May Also Like: Moody and mystical, Ritchie Blackmore’s Rainbow debut launchedRead More

At the time, punk was thought of as the fast and rough stuff, with classic rock geezers like Ritchie Blackmore already relegated to the dustbin of history. Hardly. Rainbow’s molten Live in Munich, recorded in 1977, zips along at a blinding pace. You May Also Like: Moody and mystical, RitchieRead More

To paraphrase Joe Lovano, FUSK doesn’t so much play free jazz, as set jazz free. Performing Super Kasper in a series of first takes, with three tracks presented as complete improvisations, this amalgam is simply too enterprising to fit into any one category. You May Also Like: Ivo Perelman –Read More