Arild Andersen may not be the first name that comes up when one thinks of the greatest living acoustic bassists, but he’s at least earned the right to be considered somewhere on that list. A player of expansive range, lyricism and velocity, Andersen’s list of credits as a sideman readsRead More

photo: Rueters (R.I.P. Esbjörn) by Pico With the best releases of the more mainstream type of jazz examined, it’s time to take a look at jazz hybrids, or fusion. In years past,”fusion” usually meant just jazz-rock fusion. Increasingly, even jazz-rock music has become more fragmented, as we’ve seen an explosionRead More

I remember Azymuth back in the eighties as this funky little jazz fusion trio from Brazil whose sound approximated Weather Report but with some hot samba thrown in for local flavoring. The Cascades LP I had back then got a fair amount of spins and these guys were all better-than-averageRead More

by Nick DeRiso Herbie Hancock almost didn’t pull off “The New Standard.” This High Concept offering from 1996 found Hancock, with varying degrees of success, adapting songs by popular artists like Peter Gabriel, The Eagles’ Don Henley, Paul Simon, The Beatles and Prince. You had to give him credit —Read More

I’ve covered a Martin and Medeski album, a Wood Brothers album and even an MMW children’s album on this space, but this is the first go around with a “proper” Medeski, Martin & Wood release. Radiolarians 1, which hit the streets September 30, is the first of a planned trilogyRead More

Bill Moring is someone readers of this space have come to know as the guy jazz pianist extraordinaire Steve Allee relies upon for holding down the bottom in his band. Moring is hardly “just” Allee’s bass player, though. Throughout a three-decade career, Moring has played in ensembles of all sizesRead More

Like Ahmad Jamal, Cecil Taylor and Paul Bley, Ramsey Lewis is a jazz pianist who first emerged in the 1950s and is still with us today. Unlike those other cats, though, Lewis was never accused of challenging the existing conventions of jazz. With crossover hits like “The In Crowd” andRead More

by Pico Jazz fusion records from the 1974 time frame are almost always going to fall into one of two categories: a few that are truly great but overly familiar, or, more frequently, simply forgettable. Transitory by Pork Pie is a unique one from that period in that it’s bothRead More

No serious conversation about old school funk-jazz can leave out this gem. “Always There” is a essentially a two chord vamp, but damn, it’s a two-chord vamp that hits squarely in the center of funk’s sweet spot. The song’s co-creator Ronnie Laws spent the first half the seventies lending hisRead More

This installment of “Quickies” starts with the rowdy but eventually settles on the refined. A rocker, followed by a groover, concluded with a swinger (no, not that kind of swinger). They’re all from guys you might not have heard of but in their own way have quietly made significant contributionsRead More