This angular and exciting track, featuring a tornadic assist from violinist Jerry Goodman, opens bassist Antoine Fafard’s terrific new prog/fusion album Occultus Tramitis. You May Also Like: No related posts.
The progenitor of Americana jazz makes music that’s most directly inspired by a scenic crown jewel of Americana itself. You May Also Like: Bill Frisell – Music IS (2018) Bill Frisell’s Timeless ‘Live’ Opened Up a New Musical World for Me Andrew Cyrille, with Wadada Leo Smith and Bill FrisellRead More
One of my favorite Rush songs is “The Trees.” I love that brief acoustic, Renaissance mannered intro with a full-bodied metal guitar suddenly bursting in You May Also Like: Bernie Chiaravalle, Guitarist With Michael McDonald: Something Else! Interview
Ross Hammond made a record last year that I dug the hell out of. Adored is raw rock-jazz that I found very instinctual because everyone in his band are seasoned jazz cats who cross over to rock for fun. You May Also Like: Ross Hammond and Jon Bafus – MasonicRead More
A fourth LP is in the offing for that avant-Chicago/folk-Brazilian amalgam, the São Paulo Underground. Rob Mazurek (cornet, electronics), Guilherme Granado (keyboards, electronics) and Mauricio Takara (drums, percussion, cavaquinho, electronics) are back You May Also Like: Rob Mazurek’s Black Cube Marriage – Astral Cube (2017)
Mike Dillon calls himself an “electronic vibraphonic go go funk punk rock jazz screaming being,” which is 100% accurate, and if that doesn’t get you interested in his music, then GTFO. You May Also Like: Mike Dillon & Punkadelick – ‘Inflorescence’ (2023) Mike Dillon – ‘1918’ (2021)
Pat Metheny and John Zorn? What are both musicians famous for? You May Also Like: Pat Metheny, May 16, 2019: Shows I’ll Never Forget Why You Should Give Pat Metheny’s ‘Rejoicing’ Another Listen Why Pat Metheny’s ‘New Chautauqua’ Still Provides an Important Refuge
Patrick Cress’ brainchild Mercury Falls is back again three years after they debuted with a project I previously opined that in their alchemy of jazz and alt-rock, “these guys figured it out right from the start.” You May Also Like: Ivo Perelman, Mark Helias + Tom Rainey – ‘Truth Seeker’Read More
The turn of the millennium was a time of artistic resurgence for UK guitar lord Allan Holdsworth; with its stripped down arrangements and group improvisational freedom, Holdsworth got more from less out of Sixteen Men of Tain (2000). You May Also Like: Allan Holdsworth – Tales From The Vault (2016)Read More
Steve Jenkins may be a bassist, but he’s seemed to have learned a lot from guitarists with which he’s worked, like, say, Vernon Reid and David Fiuczynski, in how to craft music around his chosen instrument and his style of playing it. You May Also Like: ‘Daisy Jones and theRead More
