Narada Michael Walden’s music and that of the artists he works with varies intriguingly from genre to genre. So do the albums that shaped his career.

Henry Hey and Forq continue a tradition of engaging, amazing and confounding listeners with their fifth studio release, ‘Big Party.’

Released 55 years ago today, ‘In a Silent Way’ is the demarcation line between Miles Davis’ straight-jazz era and the electric jazz-rock fusion to come.

Fania All Stars’ ‘Latin-Soul-Rock, long out of print, returns on 180-gram vinyl to celebrate the original release’s 50th anniversary.

Soft Machine’s peak roster playing at peak performance is reason enough to plunk down for ‘Høvikodden 1971’ if this boundary-pushing style of jazz-rock is your thing.

Chick Corea’s rejiggering the fusion jazz formula toward the jazz direction with generally sharper songwriting has made his Elektric Band II’s ‘Paint The World’ hold up well over the years.

Just as long as you like to move, there’s no reason not to like David Sanborn’s take on the Ornette Coleman classic “Ramblin’.”

Not much crossover jazz from the 80s holds up well today soundwise but David Sanborn’s “It’s You” from ‘Voyeur’ is timeless.

“Short Visit” was David Sanborn’s early hat tip to his sometimes-employer Gil Evans, but it wouldn’t be his last.

The Claudio Scolari Project raises the stakes for ‘Opera 8,’ an especially adventurous effort from a band for which adventure is their calling card.