Dan Rosenboom’s ‘Absurd In the Anthropocene’ is the right mixture of the past and future, acoustic and electric, familiar and exotic.

Cobbling together something new from things old is not a Jeff Parker invention. But his unique take on this approach makes ‘Suite For Max Brown’ so much more accessible.

With Kait Dunton’s ‘trioKAIT Live at the Blue Whale,’ the integrity of the compositions and the sheer musical ability holds up just fine on stage, thank you very much.

Using high-level musicianship and a great sense of harmony and rhythm to carry out one instantaneous idea after another is the trademark of Claudio Scolari Project.

Even if the music isn’t so simple, the intricacy on Matt Mitchell’s ‘Phalanx Ambassadors’ makes it so absorbing.

The marriage made in heaven between Swiss minimalist specialists Sonar and master texturalist David Torn continues with ‘Tranceportation (Volume 1).’

Miles Okazaki constructs songs that go against convention, telling a different, engaging musical story with each piece.

So, it might be hard to know how to slot the music in ‘You Know What…?’ Whatever you call it, the Aristocrats do it well.

What we get from fusion icons Mike Stern and Jeff Lorber are the best of both worlds and that’s the strongest reason why ‘Eleven’ merits a lot of listens.

We’ve covered a lot of music by drummer Scott Amendola and trumpet player Shane Endsley but the two never crossed paths in this space … until now.