Harriet Tubman’s ‘Electrical Field of Love’ is a welcome enough return on its own but their willingness to keep shaking things up by bringing on board Georgia Anne Muldrow signals that they haven’t lost any aversion to standing pat.

It’s time to re-embrace all the energy and funky fun of Mullet Jazz. You don’t need a mullet or a time machine to take this trip; Finely Tuned Elephant’s ‘No Goats’ is here to re-create that feeling in the present.

Once again, multi-faceted artist Alabaster DePlume defies neat categorization with this new instrumental single “Bringing Up the Nakba”.

‘ELEPHANT’ shows Adam O’Farrill’s daring to innovate new jazz with disparate non-jazz components comes from the acumen to conceive it and execute it with confidence.

Peter Somuah knows how to push jazz forward to present-day vibes without losing any of jazz’s vintage vitality, and he does it his own way.

New drummer Asaf Sirkis didn’t remake Soft Machine in his image but adds a piece that helps to keep a band started in 1966 viable in 2026 with their newest studio album ‘Thirteen.’

Triple Blind’s ‘Cold Walk’ chronicles a band finding its signature approach to contemporary jazz that combines that headiness of modern jazz with the freshness of today’s indie pop.

The re-release of Joe Chambers’ ‘Double Exposure’ should provoke a long overdue re-examination of a career that touched on several turning points in jazz using multiple talents.

‘KHMER Live in Bergen’ shows Nils Petter Molvær’s uniquely meticulous electronic instrumental music that finds beauty in the clash between calm and the calamitous can be faithfully executed outside of a studio.

Released 45 years ago, ’80/81′ visits “out” material and more straight-ahead jazz, with a healthy introduction to Pat Metheny’s idea of “folk jazz.”