Paul Jolly, a free jazz musician, producer and advocate, has made good on his own personal mantra: “Wake up every day, and do something positive and with love.”

Released in June 2009, the Evan Parker Electro-Acoustic Ensemble’s ‘The Moment’s Energy’ is made up of a continuum of evolving ideas, rather than actual songs.

Incredibly interesting, Milton Marsh’s lost album ‘Monism’ is as relevant today as it was in 1975.

Here is a reflection on free jazz pioneer Ornette Coleman and his wonderful 1985 encounter with Pat Metheny, ‘Song X.”

Here is a review of a uniquely experimental set of electro-acoustic improvisations between Denny Zeitlin and George March, ‘Riding The Moment.’

Ivo Perelman ha s meeting of the minds with drummer Whit Dickey in exploring what is possible on a tenor saxophone thanks to the innovations of his forebears.

Here is a review of Canadian trumpeter Lina Allemano’s Titanium Riot album ‘Kiss The Brain’, their imaginative, freeform electro-acoustic jazz debut.

Here is a review of ‘Nax,’ a free-jazz trumpet/bass encounter between Natsuki Tamura and Alexander Frangenheim.

The Daniel Blacksberg Trio takes a conventional format and creates something refreshingly unconventional from it.

This goes much farther out than the celebrated rock music of its time.