by Nick DeRiso The pianist, of course, got all the press. But Scott Lafaro, this tragic genius in a unique counter-melodic style, is the one who so often gets forgotten. If you care anything about bass (rock, jazz or blues) you will find his recordings with Bill Evans at NewRead More

by Nick DeRiso Imagine a swinging Chopin, or Chick Corea with a case of classical gas. That’s the vision of James L. Mack — and it comes into focus on “Pride of Lions,” featuring a slew of stars from Tony Williams and Roy Hargrove, to Bobby Watson and Philip Bailey.Read More

by Pico Most everyone’s first exposure to jazz from about 1965 on has come from Vince Guaraldi’s kick butt soundtrack music to the Peanuts television specials. But rock? Well that depends on when you grew up and what was permeating the radio and tv (or at least children’s tv) atRead More

by Pico I think I can say this with high confidence that The Isley Brothers were among the best and underrated R&B bands of the 1970’s. It wasn’t just Ronald Isley’s creamy smooth falsetto or killer material like “Footsteps In The Dark”, these guys made more than a passing nodRead More

by S. Victor Aaron So you’re looking at the album cover just to the left and guessing that it’s a vintage children’s record intended to cash in on the hit mid-sixties series starring Adam West and you would be right. But there was no such band as “The Sensational GuitarsRead More

by Nick DeRiso Was grooving to a 2002 reissue of the titanic groovefest ‘Power of Soul’ tonight, and got to thinking about Idris Muhammad – a funk and jazz drummer of the first order, born in New Orleans as Leo Morris. He started out, of course, playing in soul bands,Read More

by Nick DeRiso A pair of early 1990s Rhino compilations, all punky guts and art-rock pretention – without being pretentious – showed how the Do It Yourself aesthetic was given great depth by the almighty hook. Taken together, they’re a nice overview of the British punk explosion and the lastRead More

by Nick DeRiso While the performances on “Johnny Shines and Robert Lockwood,” from Shreveport, Louisiana’s Paula Records, are first-rate, unfortunately the sound quality early on is spotty. Some of the source material was slightly damaged on the Shines sides, resulting in a couple of gurgly spots where the sound fallsRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin – Black Light (2015)