Su Andersson’s ‘Brave’ is an album that follows in the great assertive tradition of progressive folk, meeting the blue-jeaned coffee-house muster of old.

The new Charm of Finches album ‘Wonderful Oblivion’ is a delightful kite that floats in the airy beauty of folk chamber music, caressing melodic breezes.

Times have changed but in adapting to it on ‘I Hope I Know,’ Seth Walker shows that his mastery of Americana music is just as it was during the ‘old’ times.

JD Souther’s ‘If the World Was You’ demonstrated that a great artist in the second half of his career can still deliver compelling work.

Self-proclaimed “alt-folk rock” songwriter Dan Tedesco joined Erik Ritland to discuss releasing albums “horizontally instead of vertically.”

Mark Saleski offers an in-depth examination of Bruce Springsteen’s ‘Nebraska,’ which was primarily recorded 40 years ago today.

Bob Dylan is back on the road. Nobody seemed happier about it during his tour-opening stop in Milwaukee than Bob himself.

Here’s a look back at a handful of gems from Joni Mitchell, including an intriguing demo from the 50th anniversary reissue package for 1971’s ‘Blue.’

Wisdom flows like the Mississippi River through James McMurtry’s brilliant new album. It’s Bob Dylan, without the metaphor.

Fans often overlook Joni Mitchell’s Geffen-era albums. Too bad, as this one is another jewel in her musical crown.