Since his early days of hangin’ with Mr. Cougar, James McMurtry remains the same guy he was back then, but with some subtle differences.

by S. Victor Aaron Like Bonnie Raitt, Chris Smither is a blues-folk-rock singer who emerged from the Boston coffehouse scene of the sixties. Unlike Raitt, though, he never enjoyed the widespread success his colleague did, even when they both began recording careers in the early seventies. As a matter ofRead More

by S. Victor Aaron The lead singer and guitar player plays in an electric blues band in Atlanta. The bass player is in New York as one third of the premier acid jazz band of the last ten years. You might say that these guys form a musical odd couple.Read More

by Pico He’s the son of folk singer Leon Bibb, nephew of Modern Jazz Quartet founder John Lewis, and was directly exposed to several legendary performers like Pete Seeger and Bob Dylan growing up. It would seem that Eric Bibb was destined to go down a similar path as hisRead More

NICK DERISO: Go into this hidden-away New Orleans gem expecting blues — what with Jim Dickinson producing and East Memphis Slim as a sideman — and you’re in for a big surpise. The House Levelers were more of a thumpy roots-music outfit, one that was at once sharp as scissors,Read More

There’s been a plethora (love that word) of releases on the rock side of the genre ledger that has demanded by attention. You see, the rocksters listed here were all riding high back in the seventies, so naturally, I was curious to see if they still got “it.” In eachRead More

by Pico This version of Quickies focuses on new rock and old jazz. One thing they have in common: it’s all good. >Bennie Maupin The Jewel In The Lotus Multi-reedist Bennie Maupin first made his mark contributing that bad-assed bass clarinet to Miles Davis’ Bitches Brew and then joined HerbieRead More

James McMurtry, we know now, had only just begun making steel-toe tapping records that take a while to sink in.

Released in the time immediately following the Woodstock basement recordings (which wouldn’t see the light of day ’til the dawn — or is that yawn? — of disco), Bob Dylan goes twangy — and with resounding success. Folksy, without too much folk. “Rolling Stone” said “John Wesley Harding” helped setRead More

As noted, a “leak” of some new Dylan tracks from his own record label (ahem) got me back into the stacks – and back into Bob. We’re mixing and matching here, old and new, relevant and pee-yew. That’s Dylan for you … raising our sights, but occasionally frustrating our desires,Read More