by S. Victor Aaron Here’s a trio of African-Americans playing bluegrass, vintage country, jug and other hillbilly styled music, played the old-fashioned way. But just listen to the music and you’ll realize the appeal isn’t at all in the novelty of this setup. No, it’s because they play it soRead More

Photo by Maria Camillo by S. Victor Aaron Sometimes it takes a fantastic cover of a song to make you realize how good the original has always been. This One Track Mind is about one of those times. When I think of the eponymous Pat Metheny Group album from wayRead More

by S. Victor Aaron A few weeks ago, with little warning, my office got transferred from the cozy suburbs to the concrete jungle. Stranded in a 7th floor cube farm in the middle of Gotham about 30 miles from home and averse to sitting still on freeways, it was timeRead More

by S. Victor Aaron 2009 has had its share of the blues but there were plenty of blues practitioners making the best of the hard times, as we saw a slew of fine releases by them last year. There were seven of those that really stood out to me, aboveRead More

by Pico Duck Baker, as we noted here earlier this year, is a virtuosic fingerstyle guitarist. That last release, Everything That Rises Must Converge, showcased only a very small sliver of Baker’s passions. He can get enthused for artists ranging from George Jones and Andrew Hill to Clarence White andRead More

by Pico The last time I covered a band out of Providence RI, I was thunderstruck by the wonderfully weird folks who make up the musical buffet table Barnacled. On the other end of the spectrum but in the same seaside New England town hails an folk-rock outfit called TheRead More

by Nick DeRiso From the South, but not really, Diana Jones sings with an unforgettable, old-time lonesomeness — like a late-arriving featured act at an old Carter Family jubilee. She then expands on the familiar bluegrass vocabulary with a character-driven, literary touch, nowhere to better effect than on the newRead More

by Nick DeRiso  This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Born in 1904, Thomas Edison “Brownie” Ford would travel all over the Deep South — working as a ballad singer, bronc buster, storytellerRead More

‘Mama Rosa,’ named after Brian Blade’s grandmother, is a thematic album built around family, faith and early life events, as well as people he’s come to love along the way.

by Pico As an acclaimed maestro on a variety of stringed instruments (violin, mandolin, guitar) Mike Marshall can call upon just about anyone in the field of progressive bluegrass to accompany him on an album. For his fresh-out-of-the-oven album Mike Marshall’s Big Trio, he sticks with acoustic guitar and enlistsRead More