Speaking from the heart is one thing, but to sing from that tender place — to reveal just how vulnerable you are on stage — takes a different kind of courage. And Haley Dreis, the South Carolina classical fiddle player turned budding popular songsmith, has that courage. You May AlsoRead More

by Nick DeRiso Upset over a world that wronged him one too many times, Troy Lindsey begins his bumpy Ride Across the Sun in a foul mood. Luckily, as is so often the case, a good woman can make all the difference. You May Also Like: Lindsey Buckingham’s Live atRead More

by Nick DeRiso There are songs you listen to with one elbow jutting out a car window, the gas pedal cutting into the floor mat. Then there are the things that open up different vistas, albums that bring you around to quieter places — sounds that force you to stopRead More

by Nick DeRiso First off, this doesn’t start off with any piano, but also not the churchy wistfulness of the Cowboy Junkies’ 1987 breakthrough The Trinity Session. Instead, there is a gnarled electric guitar from Michael Timmins, a mashed-down organ and an updated worldliness in Margo Timmons’ familiar alto. They’reRead More

by Mark Saleski In the past handful of years, I have jettisoned a few distractions: namely, sports and television, which are sort of related. Rounding out the list is politics. I have decided that, because my thoughts on “the right thing to do” are so far outside of the mainstream,Read More

by Mark Saleski In the recent Southern Music issue of the Oxford American, musician John Engle speaks of “The Vastness,” the idea that the world’s store of knowledge is so vast that “if you tried to take it all on at once it would crush you.” It’s true. And thereRead More

Photo by Lindsey Verrill, from Melissa Engelman’s MySpace page by Nick DeRiso Austin-based singer-songwriter Melissa Engleman explores life with a tough vulnerability on the urban folk set At the Hotel Café, often displaying a fortitude so quiet as to deceive. She gets knocked to the ground, while brilliantly fusing alt-country,Read More

Photo from Todd Christoffel’s ReverbNation.com page by Nick DeRiso Seattle-based folk-rockers Don’t Ask have a fondness for the comfy sounds of 1970s pop, though they are careful not to get too caught up in nostalgia. They simply use that era’s singer-songwriter-inspired prose, its soaring symphonic pop structure and its feel-goodRead More

by Nick DeRiso New York City-based Brian Hugh O’Neill can’t get away from hard truths on Free World. “The light’s not very kind in this place,” O’Neill sings in the anthematic “Careful What You Want.” “There’s a shadow moving over your face.” That shadow is moving, really, over the wholeRead More

by Mark Saleski I heard a short piece on the radio yesterday about the band Cake. Apparently, their new album has hit the top of the charts. The bad news is that hitting the top of the charts doesn’t mean what it used to mean. Showroom of Compassion took theRead More