Supertramp was many things over its too-brief period of hitmaking — art-rockish proggers, post-Beatle popsters, kinda-classical rockers, memory-defining radio monoliths. There was much to love as they moved, over the course of the early-1970s to the early-1980s, from the esoteric to the very top of the charts You May AlsoRead More

James Brown got all of the headlines, be they for his fancy moves, his fancier suits or his brushes with the law. But the JB Horns, those great groovers who provided the punctuation to every grunt, gasp and squeal, remain an underrated element to the legend. You May Also Like:Read More

The Bob Dylan list is necessarily subjective. But like all birthday presents, it’s the thought that counts.

A band suspended forever between the formalism of Dennis DeYoung’s Broadway pretensions and the harder-edged banalities of James Young and Tommy Shaw, Styx sounded different every time it came on the radio. Yet, critics insisted, somehow the same: Mediocre. You May Also Like: No related posts.

Enough with the ‘Silk Degrees’ already. Let’s explore elsewhere in Boz Scaggs’ lengthy catalog.

In a Rock and Roll Hall of Fame career dating back to the early 1950s, the Isley Brothers stayed on the move — transforming themselves from gospel shouters to doo-woppers to early rock ‘n’ rollers to nasty funksters to lover-man balladeers. You May Also Like: How the Isley Brothers MadeRead More

The Talking Heads seemed to do what so few manage – start a career almost fully formed, then gradually grow without giving up their signature style. They emerged weird, polished that weirdness, and let the world catch up. You May Also Like: Ever Wonder How David Byrne Fit Inside ThatRead More

In defense of Rush, a band that delved into Ayn Rand, sci-fi, songs about balding, fights between dogs and, well, whatever a Bytor is.

Photo from petergabriel.com by Something Else Reviews Anybody who names his first four solo recordings after himself is going to require some deciphering, right? We’re here to help with a five-song spin through Peter Gabriel’s solo career, featuring both charting favorites and a few forgotten gems.             “HERE COMES THE FLOOD”Read More

by Something Else Reviews Perhaps Todd Rundgren’s own restive muse — he’s dabbled in every major rock subgenre over the past four decades — simply makes him too difficult to categorize. Maybe Rundgren never stuck with one thing long enough. Somehow, this pop music maverick hasn’t consistently found the widerRead More