Kelly Moran’s ‘Bloodroot’ is not your common minimalist record, and even those who hadn’t embraced that style of music could be drawn to the strange peacefulness wrung from a prepared piano.

Ending a paucity of all-new material since 2004, the singularly creative experimental pop warrior Arto Lindsay is set to break the fast on April 21, 2017. That’s when You May Also Like: Thiago Nassif – Três (2018) Is This the Best-Ever Prince Cover? Thiago Nassif – ‘Mente’ (2020)

To a lot of people, the slang to describe a remote location is ‘bum frick Egypt,’ but in Texas, that place is called Marfa. Situated almost 200 miles southeast of El Paso near You May Also Like: Rob Mazurek’s Black Cube Marriage – Astral Cube (2017) Rob Mazurek Quintet’s hypnotic,Read More

As a celebration of the Satoko Fujii Orchestra Toyko’s fallen guitarist Kelly Churko, ‘Peace’ couldn’t be any more true to his memory and the fearlessness he brought to this band.

On the powerful and unrelenting ‘Process and Reality’, Yoshida’s thunderous drums provide the adrenaline as Pinhas and Merzbow supply the clinical soul.

Dolphy Formations is another stop on Aram Bajakian’s fascinating musical odyssey, and who knows where it will take him next.

Both soothing and stimulating, Asha Tamirisa’s ‘Callus/Redux’ is yet another worthy contribution of avant-garde electronic music that’s gender-less in sound and not so gender predominant in origin

‘An Untroublesome Defencelessness’ features the collective wisdom of Merzbow, Keiji Haino and Balazs Pandi – three visionary musicians who have made careers out of embracing uncharted territory.

Even when reflecting on the 80s of their youth Deerhoof tends to favor making rock music the makeshift way most rock music was made in the 60s, and the method matters for this music.

Dauntless musician Rhys Chatham’s ‘Pythagorean Dream’ is an avant-garde minimalist’s dream come true.