Released 55 years ago this month, ‘Hollies Sing Hollies’ retains the spellbinding harmony and melodic smarts that brought the Hollies acclaim in the first place.

Elaine Palmer’s ‘Half Moon Rising’ is a lovely folk-Americana album floating on enriched earthy vocals that can possess a melody with magic.

Two brilliant live LPs from Kevin Coyne, an idiosyncratic artist who defied the ’70s ethos of prog fantasy, hard-rock machoism, and folky sentimentalism.

With ‘How I Learned to Love the Freaks,’ Vinny Peculiar emerges from the hazy smoke of late-’60s youth counter-culture with a clever psych-rock album.

Wilma Baan’s ‘Look at Me Now’ launched at Pizza Express Live in London and has received impressive reviews.

With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.

Zoe Rahman’s ‘Colour of Sound’ is a heady mix of joy, love and occasional tranquil moments where the music takes you on a giddy trip again and again.

British experimental band Szun Waves scours dark sonic corners for melodic human hope on ‘Earth Patterns’ – and that’s a tough thing to do.

U.K.-based prog-rocker Joe Bailey is following his hard-hitting Mark Anthony K collaboration with a new album titled ‘Ghosts.’

The debut single from the Cretins is a ’60s mid-tempo garage rocker that’s instantly catchy, contemporary, and memorable.