This tune begins, in its familiar way, with a soaring keyboard signature we’ve all come to associate so fully with Keith Emerson’s opening of Aaron Copland’s “Fanfare for the Common Man,” as interpreted in 1977 by Emerson, Lake and Palmer. You May Also Like: No related posts.
Emerson Lake and Palmer somehow went from selling 40 million records to becoming one of rock’s more reviled bands – all in the space of a single decade.
It’s less than one week to Christmas, ladies and gents. Still trying to figure out what to give your loved one or boss that perfect music gift?
It’s been since the beginning of August since we’ve last done a “Quickies” here, so we’re long overdue for another one. There’s been a bevy of music put out during these last eight weeks that our full-fledged reviews don’t begin to cover, and a lot of it noteworthy. Gosh, IRead More
Full Circle isn’t not so much about a CD than it is a story of a certain musician’s redemptive long journey back from personal tragedies. And his new band is a musical group led by a man who sought to provide a willing public the soulful, energetic free wheeling styleRead More
by Nick DeRiso Was grooving to a 2002 reissue of the titanic groovefest ‘Power of Soul’ tonight, and got to thinking about Idris Muhammad – a funk and jazz drummer of the first order, born in New Orleans as Leo Morris. He started out, of course, playing in soul bands,Read More
