Delfeayo Marsalis – Kalamazoo (2017)
Delfeayo Marsalis’s first-ever live album, ‘Kalamazoo,’ proves he’s both an alchemist and entertainer.

Delfeayo Marsalis’s first-ever live album, ‘Kalamazoo,’ proves he’s both an alchemist and entertainer.

Delfeayo Marsalis undertakes his first full-length collaboration with father Ellis, but the star may just be drummer Marvin “Smitty” Smith.
Ellis Marsalis would have had a sweeping impact as a musical innovator and longtime educator even if he hadn’t parented a series of famous jazz-playing sons.

Ellis Marsalis’ ‘New Orleans Christmas Carol’ is a showcase for the underexposed patriarch of the city’s first family of jazz, and a record of sumptuous charm.

Putting together a luxe coffee-table book honoring the city of his birth clearly got Irvin Mayfield in a nostalgic mood. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans added a new musical wrinkle New Orleans at 300: In Search of Jazz

by Pico Can Old School sound fresh? It did when Wynton Marsalis first burst onto the jazz scene at a time when tradition was largely ignored or widely diluted. After a seventeen year stint in The Count Basie Orchestra, a sideman stint in Marcus Roberts’ combo and recording dates withRead More

Irma Thomas, whose Louisiana legend of a voice has darkened into a more expressive place, is taking a similar career tack. The new “Simply Grand,” in fact, finds Thomas moving deeper into the emotional underpinnings of her best work at a time when safer environs would probably be more profitable.Read More

by Nick DeRiso Snooks Eaglin, who had been battling prostate cancer, shot to prominence on the strength of 1959’s “New Orleans Street Singer,” a record that even today is a revelation. Mostly, because it sounds nothing like Eaglin, who was as modern and as inventive and as non-traditional as theyRead More

Ellis Marsalis’ ‘Whistle Stop’ served as an important reminder that New Orleans’ jazz patriarch was still a hat-tipping, oh-so-swinging piano man.

by Nick DeRiso Was grooving to a 2002 reissue of the titanic groovefest ‘Power of Soul’ tonight, and got to thinking about Idris Muhammad – a funk and jazz drummer of the first order, born in New Orleans as Leo Morris. He started out, of course, playing in soul bands,Read More