Ebarhard Weber’s 1974 debut ‘The Colours of Chloe’ deftly assimilates classical, jazz, folk and even world fusion into an impressionistic whole.

Lyle Mays’ “Eberhard” serves as a bittersweet coda from a largely unsung brilliant musician who left us – as we learn here – still at the height of his powers.

Pat Metheny aimed to construct a performance that could only spring from the fertile mind of his mentor Eberhard Weber. And, he succeeded.

It’s not a constant presence on this album, but as mentioned when we discussed the title track on Watercolors, what would become the sound of “The Group” begins to establish itself. You May Also Like: Pat Metheny, May 16, 2019: Shows I’ll Never Forget Pat Metheny, “You Are” from ‘FromRead More

A year after his auspicious debut, Pat Metheny returned to the ECM label with a lineup that’s very close to what would become the first incarnation of the Pat Metheny Group. You May Also Like: Why You Should Give Pat Metheny’s ‘Rejoicing’ Another Listen Pat Metheny, May 16, 2019: ShowsRead More

Good improvisers can bolster a melodic development. The really great ones can make up a whole new one out of thin air. You May Also Like: Eberhard Weber – ‘The Colours of Chloe’ (1974, 2023 hi-res reissue) Jan Garbarek Surged Out of a Quieter Era With the Explorative ‘Dresden’

by S. Victor Aaron When I lived in a college dormitory, a guy down the hall from me turned me on to this ECM record Silent Feet by Eberhard Weber. The two long tracks and the one even longer track were entrancing to me, like going on this audial odyssey.Read More